From 'Passage' to 'Parly 2': commodity culture in Benjamin and Baudrillard

New Formations - ISSN 0950-2378
Volume 2004 Number 54

From 'Passage' to 'Parly 2': commodity culture in Benjamin and Baudrillard
Graeme Gilloch, Tim Dant pages -

Abstract

Gilloch and Dant compare works by Walter Benjamin and Jean Baudrillard, The Arcades Project and The Consumer Society respectively. They explore how both theorists explain the emergence of commodity culture in its contemporary form, and how this relates to ideas about language. This article also explores both theorists’ interest in nineteenth century collectors, particularly collectors’ characters and practices.

SORRY - you are not registered as being permitted online access to the full text of this article

You have the following options:

  1. If you are viewing this via an institution or academic library you can ask that your institution takes out a Subscription to this journal.
  2. If you already have a Personal Subscription please login below


    Forgotten your username / password? Click here to locate

  3. Purchase an annual Personal Subscription
    PRINT + DIGITAL personal subscription (£45 / year)
    DIGITAL personal subscription (£30 / year)
    A Personal Subscription provides immediate access not only to the single article you are seeking, but also to all past and future articles in this journal up to the expiry of your annual (calendar year) subscription.
  4. Purchase immediate access to this single article (UK£7.00) - Buy article Coming Soon

To cite this article
Graeme Gilloch, Tim Dant (2004) From 'Passage' to 'Parly 2': commodity culture in Benjamin and Baudrillard, New Formations, 2004(54), -

Share this